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"These pieces that are born out of an intensity of experience, or a lack of stability and all that entails. I think it's not necessarily bad for art, right? It's bad for us. But that's it."

– Sean Shepherd

23.02.2026 {Origins}

Origins: Sean Shepherd

"The idea that you can, without force, guide a room of people towards a certain direction. This is now what I spend a career trying to learn."

– - Edward Gardner

05.02.2026 {Origins}

Origins: Edward Gardner

05.03.2026 {Favorites}

Favorites: Mary Bevan

Listening Room: Anthony Roth Costanzo

02.01.2026 {Listening Room}

Listening Room: Anthony Roth Costanzo

"You read about people finding their roots, finding their second home. There's no explanation for it, but I felt like Cuba was my place. Cuban music gets under my skin and into my veins like no other music."

– Sarah Willis

29.01.2026 {Origins}

Origins: Sarah Willis

"So much of acting is about the relationships you have with other people you're on stage with, so unless you've sung this with them a bunch of times, I don't know how I would do it."

– Jacquelyn Stucker

11.02.2026 {Stories}

Stories: Jacquelyn Stucker

"Schumann’s songs are as much piano pieces as they are music for voice, and the piano often completes what the voice has said."

– Ian Bostridge

02.01.2026 {Stories}

Stories: Ian Bostridge

Listening Room: Jacquelyn Stucker

07.10.2025 {Listening Room}

Listening Room: Jacquelyn Stucker

"This painful juggling act has become a hallmark of modern life for anyone who is “lucky” enough to accompany their parents along this final path."

– Nicholas Phan

12.12.2025 {Stories}

Stories: Nicholas Phan

Listening Room: Nico Muhly

02.01.2026 {Listening Room}

Listening Room: Nico Muhly

“No hyperbole: Liszt fully and rightfully stands among the very greatest masters in the pantheon of composers.”

– Alan Gilbert

24.11.2025 {Favorites}

M u s i c i a n s ' J o u r n a l

"These pieces that are born out of an intensity of experience, or a lack of stability and all that entails. I think it's not necessarily bad for art, right? It's bad for us. But that's it."

– Sean Shepherd

Origins: Sean Shepherd

"The idea that you can, without force, guide a room of people towards a certain direction. This is now what I spend a career trying to learn."

– - Edward Gardner

Origins: Edward Gardner

Favorites: Mary Bevan

Listening Room: Anthony Roth Costanzo

Listening Room: Anthony Roth Costanzo

"You read about people finding their roots, finding their second home. There's no explanation for it, but I felt like Cuba was my place. Cuban music gets under my skin and into my veins like no other music."

– Sarah Willis

Origins: Sarah Willis

"So much of acting is about the relationships you have with other people you're on stage with, so unless you've sung this with them a bunch of times, I don't know how I would do it."

– Jacquelyn Stucker

Stories: Jacquelyn Stucker

"Schumann’s songs are as much piano pieces as they are music for voice, and the piano often completes what the voice has said."

– Ian Bostridge

Stories: Ian Bostridge

Listening Room: Jacquelyn Stucker

Listening Room: Jacquelyn Stucker

"This painful juggling act has become a hallmark of modern life for anyone who is “lucky” enough to accompany their parents along this final path."

– Nicholas Phan

Stories: Nicholas Phan

Listening Room: Nico Muhly

Listening Room: Nico Muhly

“No hyperbole: Liszt fully and rightfully stands among the very greatest masters in the pantheon of composers.”

– Alan Gilbert

Favorites: Alan Gilbert

Sign up for our newsletter  to keep in touch with all Musicians’ Journal news

M u s i c i a n s ' J o u r n a l

"These pieces that are born out of an intensity of experience, or a lack of stability and all that entails. I think it's not necessarily bad for art, right? It's bad for us. But that's it."

– Sean Shepherd

Origins: Sean Shepherd

"The idea that you can, without force, guide a room of people towards a certain direction. This is now what I spend a career trying to learn."

– - Edward Gardner

Origins: Edward Gardner

Favorites: Mary Bevan

Listening Room: Anthony Roth Costanzo

Listening Room: Anthony Roth Costanzo

"You read about people finding their roots, finding their second home. There's no explanation for it, but I felt like Cuba was my place. Cuban music gets under my skin and into my veins like no other music."

– Sarah Willis

Origins: Sarah Willis

"So much of acting is about the relationships you have with other people you're on stage with, so unless you've sung this with them a bunch of times, I don't know how I would do it."

– Jacquelyn Stucker

Stories: Jacquelyn Stucker

"Schumann’s songs are as much piano pieces as they are music for voice, and the piano often completes what the voice has said."

– Ian Bostridge

Stories: Ian Bostridge

Listening Room: Jacquelyn Stucker

Listening Room: Jacquelyn Stucker

"This painful juggling act has become a hallmark of modern life for anyone who is “lucky” enough to accompany their parents along this final path."

– Nicholas Phan

Stories: Nicholas Phan

Listening Room: Nico Muhly

Listening Room: Nico Muhly

“No hyperbole: Liszt fully and rightfully stands among the very greatest masters in the pantheon of composers.”

– Alan Gilbert

Favorites: Alan Gilbert

Origins

Favorites

Stories

Listening Room

Sign up for our newsletter to keep in touch with all Musicians’ Journal news

Sign up for our newsletter  to keep in touch with all Musicians’ Journal news