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Listening Room: Anna Clyne

15.05.2025 {Listening Room}

Listening Room: Anna Clyne

“For me, I like that dissonance between what you expect and what you get, it’s so provocative."

– Jacquelyn Stucker

28.11.2025 {Favorites}

Favorites: Jacquelyn Stucker

"At a certain point in the symphony, during a rehearsal, a question comes from the first music stand of the second violins: ‘No ritenuto here? Nothing?’ I reply, with the arrogant confidence dictated by inexperience: ‘Of course not!’ I was wrong, of course.”

15.05.2025 {Stories}

Stories: Fabio Luisi

"There is something about The Pirates of the Caribbean: At World’s End that just gives me energy every time I hear it, which is daily. "

– Anna Lapwood

04.11.2025 {Favorites}

Favorites: Anna Lapwood

"As a 10-year-old, knowing what it takes to be great at something is a very, very valuable lesson, even though it came at a pretty high cost."

– Teddy Abrams

10.09.2025 {Origins}

Origins: Teddy Abrams

Stories: The orchestra giving the concert experience a unique twist

"What became increasingly important to us was to find ways to make the concert experience as thrilling and emotionally heightened for the audience as it is for the players."

– Nicholas Collon

01.07.2025 {Stories}

Stories: The orchestra giving the concert experience a unique twist

Swiss-French violist Mathis Rochat reflects on the genius of the French composer and organist, Gabriel Fauré, a century after his death

15.05.2025 {Favorites}

Favorites: Mathis Rochat

Listening Room: Matilda Lloyd

09.06.2025 {Listening Room}

Listening Room: Matilda Lloyd

"I thought about what the film was about. Resurrection. Dead parts coming together into a monster who, through Karloff’s great acting, has a soul."

– Michael Shapiro

13.10.2025 {Stories}

Stories: Michael Shapiro’s Frankenstein

"Stravinsky wrote this piece for the ballet more than 100 years ago and yet the ink still feels fresh, the notes just jump off the page."

– Anna Clyne

10.09.2025 {Favorites}

Favorites: Anna Clyne

"Growing up, you learn ways of expressing yourself and for me, music became a natural outlet both artistically and emotionally."

01.07.2025 {Origins}

M u s i c i a n s ' J o u r n a l

Listening Room: Anna Clyne

Listening Room: Anna Clyne

“For me, I like that dissonance between what you expect and what you get, it’s so provocative."

– Jacquelyn Stucker

Favorites: Jacquelyn Stucker

"At a certain point in the symphony, during a rehearsal, a question comes from the first music stand of the second violins: ‘No ritenuto here? Nothing?’ I reply, with the arrogant confidence dictated by inexperience: ‘Of course not!’ I was wrong, of course.”

Stories: Fabio Luisi

"There is something about The Pirates of the Caribbean: At World’s End that just gives me energy every time I hear it, which is daily. "

– Anna Lapwood

Favorites: Anna Lapwood

"As a 10-year-old, knowing what it takes to be great at something is a very, very valuable lesson, even though it came at a pretty high cost."

– Teddy Abrams

Origins: Teddy Abrams

"What became increasingly important to us was to find ways to make the concert experience as thrilling and emotionally heightened for the audience as it is for the players."

– Nicholas Collon

Stories: The orchestra giving the concert experience a unique twist

Swiss-French violist Mathis Rochat reflects on the genius of the French composer and organist, Gabriel Fauré, a century after his death

Favorites: Mathis Rochat

Listening Room: Matilda Lloyd

Listening Room: Matilda Lloyd

"I thought about what the film was about. Resurrection. Dead parts coming together into a monster who, through Karloff’s great acting, has a soul."

– Michael Shapiro

Stories: Michael Shapiro’s Frankenstein

"Stravinsky wrote this piece for the ballet more than 100 years ago and yet the ink still feels fresh, the notes just jump off the page."

– Anna Clyne

Favorites: Anna Clyne

"Growing up, you learn ways of expressing yourself and for me, music became a natural outlet both artistically and emotionally."

Origins: Abigél Králik

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M u s i c i a n s ' J o u r n a l

Listening Room: Anna Clyne

Listening Room: Anna Clyne

“For me, I like that dissonance between what you expect and what you get, it’s so provocative."

– Jacquelyn Stucker

Favorites: Jacquelyn Stucker

"At a certain point in the symphony, during a rehearsal, a question comes from the first music stand of the second violins: ‘No ritenuto here? Nothing?’ I reply, with the arrogant confidence dictated by inexperience: ‘Of course not!’ I was wrong, of course.”

Stories: Fabio Luisi

"There is something about The Pirates of the Caribbean: At World’s End that just gives me energy every time I hear it, which is daily. "

– Anna Lapwood

Favorites: Anna Lapwood

"As a 10-year-old, knowing what it takes to be great at something is a very, very valuable lesson, even though it came at a pretty high cost."

– Teddy Abrams

Origins: Teddy Abrams

"What became increasingly important to us was to find ways to make the concert experience as thrilling and emotionally heightened for the audience as it is for the players."

– Nicholas Collon

Stories: The orchestra giving the concert experience a unique twist

Swiss-French violist Mathis Rochat reflects on the genius of the French composer and organist, Gabriel Fauré, a century after his death

Favorites: Mathis Rochat

Listening Room: Matilda Lloyd

Listening Room: Matilda Lloyd

"I thought about what the film was about. Resurrection. Dead parts coming together into a monster who, through Karloff’s great acting, has a soul."

– Michael Shapiro

Stories: Michael Shapiro’s Frankenstein

"Stravinsky wrote this piece for the ballet more than 100 years ago and yet the ink still feels fresh, the notes just jump off the page."

– Anna Clyne

Favorites: Anna Clyne

"Growing up, you learn ways of expressing yourself and for me, music became a natural outlet both artistically and emotionally."

Origins: Abigél Králik

Origins

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